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Relational view · your concept web

Harmony, as a web of concepts

34 concepts · 61 relations. Each concept carries its own connections, so you read one idea at a time and jump along the links. Add more text below and it merges in.

Triad

Chord9 links

A three-note chord built by stacking two thirds; has a root, a 3rd and a 5th.

  • is a
  • is a
  • is a
  • is a
  • builds
  • made of
  • is first inversion of
  • is second inversion of
  • plays tones of
Notes

Interval

Concept10 links

Distance between two notes, described by both a number and a size at the same time.

  • described by
  • described by
  • is a
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Notes

Key / tonality

Concept6 links

A system that tells you which chords belong together and which don't.

  • built on
  • determines
  • is a kind of
  • is a kind of
  • changes
  • relates
Notes

Major third

Interval5 links

An interval of 4 semitones.

  • is a
  • measured in
  • built from
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  • built from
Notes

Minor third

Interval5 links

An interval of 3 semitones.

  • is a
  • measured in
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  • built from
Notes

Thinking in numbers

Technique5 links

Treating a progression as numbers, so you can predict, transpose and modulate it.

  • enables
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  • expressed as
  • demonstrates
  • demonstrates
Notes

Chord progression

Concept6 links

A sequence of chords, which can be thought of purely as degree numbers.

  • made of
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  • determines
  • reuses
  • uses
  • uses
Notes

Scale degree

Concept5 links

A note's ordinal position in the scale; each degree builds its own triad.

  • belongs to
  • builds
  • built from
  • built from
  • bridges
Notes

Sixth chord

Chord4 links

First inversion of a triad — the 3rd is in the bass.

  • is first inversion of
  • produces
  • is a
  • demonstrates
Notes

Scale

Concept3 links

A sequence of notes whose interval structure decides which chords can form.

  • structured by
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  • belongs to
Notes

Transposition

Technique3 links

Playing the same progression starting in a different key.

  • reuses
  • enables
  • demonstrates
Notes

Semitone

Concept8 links

The smallest distance between two adjacent keys — the basic unit for measuring intervals.

  • measures
  • measured in
  • measured in
  • measured in
  • measured in
  • measured in
  • measured in
  • found via
Notes

Inversion

Technique4 links

Moving a chord tone up or down so a different tone sits in the bass.

  • Notes Homework: get comfortable inverting each scale degree and practice playing all three positions (root, sixth chord, six-four).
  • produces
  • produces
  • improves
  • improves
Notes

Interval size

Concept2 links

An interval measured in tones and semitones.

  • measures
  • described by
Notes

Modulation

Technique2 links

Moving from one key to another.

  • changes
  • enables
Notes

Relative key

Concept2 links

A 'clone' key with the same notes and chords; shift the tonic 3 semitones to swap major↔minor.

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  • found via
Notes

Interval number

Concept1 links

An interval counted by letter names — E to C spans six letters, so it's a 6th.

  • described by
Notes

Voice leading

Concept1 links

Smooth movement between chords with the least hand motion.

  • improves
Notes

Diminished triad

Chord5 links

Two stacked minor thirds.

  • built from
  • is a
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Notes

Arpeggio

Technique2 links

Playing a chord's tones one at a time in a pattern; sounds best in inversions.

  • plays tones of
  • improves
Notes

Perfect fifth

Interval2 links

7 semitones — the top note (the 5th) of a basic triad.

  • is a
  • measured in
Notes

Perfect fourth

Interval2 links

An interval of 5 semitones.

  • is a
  • measured in
Notes

Second

Interval2 links

Minor second is 1 semitone, major second is 2.

  • is a
  • measured in
Notes

Six-four chord

Chord2 links

Second inversion of a triad.

  • is second inversion of
  • produces
Notes

Tritone

Interval2 links

6 semitones — the augmented 4th / diminished 5th.

  • is a
  • measured in
Notes

Unison (prima)

Interval1 links

The same note — a zero-distance interval.

  • is a
Notes

Major key pattern

Concept3 links

Chord qualities of a major key by degree: I, ii, iii, IV, V, vi, vii°.

  • is a kind of
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Notes

Minor key pattern

Concept3 links

Chord qualities of a minor key by degree: i, ii°, III, iv, v, VI, VII.

  • is a kind of
  • built from
  • contains
Notes

Passing sixth chord

Technique3 links

A sixth chord used as a bridge between two scale degrees; supporting, not independent.

  • is a
  • bridges
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Notes

Augmented triad

Chord2 links

Two stacked major thirds.

  • built from
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Notes

Smells Like Teen Spirit

Example2 links

A 1–4–3–6 progression in A minor.

  • demonstrates
  • uses
Notes

Major triad

Chord3 links

A major third on the bottom, a minor third on top.

  • built from
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  • is a
Notes

Minor triad

Chord3 links

A minor third on the bottom, a major third on top.

  • built from
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Notes

Stand By Me

Example4 links

A 1–6–4–5 progression shown with sixth chords; the same numbers work in A major and in C major.

  • demonstrates
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  • uses
Notes