Triad
Chord9 linksA three-note chord built by stacking two thirds; has a root, a 3rd and a 5th.
- ←is a
- ←is a
- ←is a
- ←is a
- ←builds
- ←made of
- ←is first inversion of
- ←is second inversion of
- ←plays tones of
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A three-note chord built by stacking two thirds; has a root, a 3rd and a 5th.
Distance between two notes, described by both a number and a size at the same time.
A system that tells you which chords belong together and which don't.
An interval of 4 semitones.
An interval of 3 semitones.
Treating a progression as numbers, so you can predict, transpose and modulate it.
A sequence of chords, which can be thought of purely as degree numbers.
A note's ordinal position in the scale; each degree builds its own triad.
First inversion of a triad — the 3rd is in the bass.
A sequence of notes whose interval structure decides which chords can form.
Playing the same progression starting in a different key.
The smallest distance between two adjacent keys — the basic unit for measuring intervals.
Moving a chord tone up or down so a different tone sits in the bass.
An interval measured in tones and semitones.
Moving from one key to another.
A 'clone' key with the same notes and chords; shift the tonic 3 semitones to swap major↔minor.
An interval counted by letter names — E to C spans six letters, so it's a 6th.
Smooth movement between chords with the least hand motion.
Two stacked minor thirds.
Playing a chord's tones one at a time in a pattern; sounds best in inversions.
7 semitones — the top note (the 5th) of a basic triad.
An interval of 5 semitones.
Minor second is 1 semitone, major second is 2.
Second inversion of a triad.
6 semitones — the augmented 4th / diminished 5th.
The same note — a zero-distance interval.
Chord qualities of a major key by degree: I, ii, iii, IV, V, vi, vii°.
Chord qualities of a minor key by degree: i, ii°, III, iv, v, VI, VII.
A sixth chord used as a bridge between two scale degrees; supporting, not independent.
Two stacked major thirds.
A 1–4–3–6 progression in A minor.
A major third on the bottom, a minor third on top.
A minor third on the bottom, a major third on top.
A 1–6–4–5 progression shown with sixth chords; the same numbers work in A major and in C major.